Scribner Book Company

March 05, 2019

256

5.4 X 8.2 X 0.7 inches | 0.45 pounds

English

Paperback

9781501125669

Born and raised in Jackson, Mississippi, Kiese Laymon, Ottilie Schillig Professor in English and Creative Writing and the University of Mississippi, is the author of the novel Long Division, the memoir Heavy, and the essay collection How to Slowly Kill Yourself and Others in America.

'Heavy is a gorgeous, gutting book that's fueled by candor yet freighted with ambivalence. It's full of devotion and betrayal, euphoria and anguish, tender embraces and rough abuse...the liberation on offer doesn't feel light and unburdened; it feels heavy like the title, and heavy like the truth...Salvation would feel too weightless--as if [Laymon] could forget who he is and where he has been. This generous, searching book explores all the forces that can stop even the most buoyant hopes from ever leaving the ground.'
--New York Times 'With echoes of Roxane Gay and John Edgar Wideman, Laymon defiantly exposes the 'aches and changes' of growing up black in this raw, cathartic memoir reckoning with his turbulent Mississippi childhood, adolescent obesity, and the white gaze.'
--O Magazine '[Heavy] take[s] on the important work of exposing the damage done to America, especially its black population, by the failure to confront the myths, half-truths, and lies at the foundation of the success stories that the nation worships. In the process, Laymon ... dramatize[s] a very different route to victory: the quest to forge a self by speaking hard truths, resisting exploitation, and absorbing with grace the cost of being black in America while struggling to live a life of virtue...You won't be able to put [this memoir] down, but not because [it is] breezy reading. [It is], in Laymon's multilayered word, heavy--packed with reminders of how black dreams get skewed and deferred yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities.'
--The Atlantic 'Heavy is one of the most important and intense books of the year because of the unyielding, profoundly original and utterly heartbreaking way it addresses and undermines expectations for what exactly it's like to possess and make use of a male black body in America ... the book thunders as an indictment of hope, a condemnation of anyone ever looking forward.'
--LA Times 'Staggering ... Laymon lays out his life with startling introspection. Heavy is comforting in its familiarity, yet exacting in its originality ... Laymon subtitled his book, 'An American Memoir, ' and that's more than a grandiose proclamation. He is a son of this nation whose soil is stained with the blood and sweat of his ancestors. In a country both deserving of his love and hate, Laymon is distinctly American. Like the woman who raised him and the woman who raised her, he carries that weight, finding uplift from sorrow and shelter from the storms that batter black bodies.'
--Boston Globe 'Stunning...Laymon is a gifted wordsmith born and educated in the land of Welty and Faulkner, and his use of language, character and sense of place put Heavy neatly into the storied Southern Gothic canon. Yet the defining elements of his art -- cadence, dialogue, eye for detail, mordant wit -- are firmly rooted in the African-American experience. Laymon has created Gothic's not-so-distant black relative...for a book that has the author's disturbing childhood as a metaphor for African-Americans' pursuit of unattained happiness and perhaps unattainable racial freedom, Heavy is surprisingly light on its feet.'
--Minneapolis Star-Tribune'Heavy is a compelling record of American violence and family violence, and the wide, rutted embrace of family love ... Kiese Laymon is a star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful. Heavy is at once a paean to the Deep South, a condemnation of our fat-averse culture, and a brilliantly rendered memoir of growing up black, and bookish, and entangled in a family that is as challenging as it is grounding.'
--NPR.org 'Staggering ... a heartbreaking narrative on black bodies: how we hurt them, protect them, and try to heal them.'
--Elle.com, Best Books of 2018 'Weight is both unavoidably corporeal and a load-bearing metaphor in novelist-essayist Kiese Laymon's sharp, (self-)lacerating memoir, addressed to the single teen mom turned professor who raised him to become exceptional...a deeply personal book, where race, class, and the scars of sexual violence are front and center.'
--New York Magazine 'Laymon's memoir is a reckoning, pulling from his own experience growing up poor and black in Jackson, Mississippi, and tracking the most influential relationships, for better or worse, of his life: with his brilliant but struggling single mother, his loving grandma, his body and the ways he nurtures and punishes it, his education and creativity, and the white privilege that drives the world around him...with shrewd analysis, sharp wit, and great vulnerability -- Laymon forces the reader to fully consider the effects of the nation's inability to reconcile its pride and ambition with its shameful history.'
--Buzzfeed 'This memoir from Kiese Laymon, whose previous books include the novel Long Division, looks at what it's like to grow up different in the American South. '
--Town & Country 'Laymon revisits the abuse he suffered growing up both black and obese in Mississippi, as well as his complex relationship with his mother. A book for people who appreciated Roxane Gay's memoir Hunger.'
--Milwaukee Journal Sentinel 'Laymon examines his relationship with his mother growing up as a black man in the South, exploring how racial violence suffered by both impacts his physical and emotional selves.'
--Time 'Laymon provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot.'
--Entertainment Weekly '[Laymon] unleashes his incendiary truth-seeking voice on a memoir that leaves no stone unturned in his examination of a life surrounded by poverty, sexual violence, racism, obesity and gambling. But Heavy is also about the lies family members tell each other and the heartache of growing up in Mississippi the son of a complicated mother.'
--The Atlanta Journal-Constitution 'Kiese Laymon is one of the most dazzling, inventive, affecting essayists working today, and his memoir lives up to the dizzyingly high expectations set for it. In Heavy, Laymon explores his tumultuous relationship with his brilliant mother, what it meant to grow up as a fiercely smart, rebellious black man in Mississippi, and his trouble with addiction in various forms. Laymon is fearless in his willingness to go to the darkest, the most tender, the most raw spaces of his life, and of our shared lives in the fragile experiment that is America. His writing will shock and comfort you, make you realize you are not alone, and stun you with its insights about desire, need, and love.'
--Nylon.com
'Weight is both unavoidably corporeal and a load-bearing metaphor in this novelist-essayist's sharp and (self-) lacerating memoir, addressed to the single teen-mom-turned-professor who raised him to become exceptional, sometimes using a belt ... Race, class, and the scars of sexual violence are front-and-center, a constant pressure and threat, but its effects are registered at ground level, a space too complex and for pop sociology.'
--Vulture 'Kiese Laymon's intense, layered Heavy is a provocatively personal look at racism and oppression in America ... Laymon's prose positively sings, helped by the humanity and humor he brings to this astonishing memoir.'
--The A.V. Club 'Laymon provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot.'
--EntertainmentWeekly.com'In Heavy, Laymon has written a memoir that feels like a body blow ... Through it all, Laymon's love for language and words drives his intellectual curiosity. Laymon's reputation as a writer grows with each piece he produces. Heavy will cement his reputation as one of America's best writers.'
--Signature Reads 'Stylish and complex ... Laymon convincingly conveys that difficult times can be overcome with humor and self-love, as he makes readers confront their own fears and insecurities.'
--Publishers Weekly, starred 'A challenging memoir about black-white relations, income inequality, mother-son dynamics, Mississippi byways, lack of personal self-control, education from kindergarten through graduate school, and so much more. Laymon skillfully couches his provocative subject matter in language that is pyrotechnic and unmistakably his own ... Far more than just the physical aspect, the weight he carries also derives from the burdens placed on him by a racist society, by his mother and his loving grandmother, and even by himself. At times, the author examines his complicated romantic and sexual relationships, and he also delves insightfully into politics, literature, feminism, and injustice, among other topics. A dynamic memoir that is unsettling in all the best ways.'
--Kirkus Reviews, starred 'Spectacular ... So artfully crafted, miraculously personal, and continuously disarming, this is, at its essence, powerful writing about the power of writing.'
--Booklist, starred
'Laymon's profound memoir reflects on his childhood in Jackson, Miss., and shows how his pursuit of excellence was a means to survive. Touching on everything from the racism he encountered to the physical and sexual abuse he endured, Laymon compares his childhood memories with how he feels in middle age, and offers a complex, nuanced portrayal of his mother.'
--The New York Times, New in Paperback'In a searing memoir addressed to his mom, Laymon examines his Mississippi upbringing and the roles race, seuxal abuse, and obesity have played in his life.'
--People, New in Paperback
'The most exciting kinds of memoirs are the ones that throw you into the story of a life even while encouraging you to step back and consider the art of its framing. Heavy is one of the best of the bunch. Kiese Laymon's writing about size and race, addiction and ambition in America is nothing less than thrilling -- every sentence sings.'
--Maris Kreizman, Vulture, 6 New Paperbacks You Should Read Right Now'Laymon won the Andrew Carnegie Medal for this harrowing but tender memoir, in which he untangles his complex relationships with his mother and his Southern family roots.'
--David Canfield, Entertainment Weekly, The 25 Best New Paperbacks to Check Out This Spring
'Oh my god. Heavy is astonishing. Difficult. Intense. Layered. Wow. Just wow.'
-Roxane Gay, author of Hunger 'What I have always loved about Kiese Laymon is that he is as beautiful a person as he is a writer. What he manages to do in the space of a sentence is unparalleled, and that's because no one else practices the art of revision as an act of love quite like Kiese. He loves his mother, his grandmama, Mississippi, black folks, his students, his peers, and anyone else willing to embrace his love enough to give us this gorgeous memoir, Heavy. This reckoning with trauma, terror, fear, sexual violence, abuse, addiction, family, secrets, lies, truth, and the weight of the nation and his body would be affecting in less capable hands, but with Kiese at the helm it is nothing short of a modern classic. These sentences that he so painstakingly crafted are some the most arresting ever printed in the English language. Kiese's heart and humor shine through, and we are blessed to have such raw humanity rendered in prose that begs for repeat readings. We do not deserve Heavy. We do not deserve Kiese. That he is generous enough to share is testament to his commitment to helping us all heal.
-Mychal Denzel Smith, author of Invisible Man, Got the Whole World Watching 'There are those rare writers in the world whose work unearths the stories that have been buried in and around us for so long. They force us to confront all that we would be rather not see, and ask us to reckon with why we have failed to see it for so long. Kiese Laymon is one such rare writer. Heavy is a memoir, yes, but it is also a testament to a sort of truth and self-reflection that is increasingly rare in our world today. If for some reason you were not already convinced, there should no longer be any doubt that Kiese Laymon is one of the important writers of our time.'
-Clint Smith, author of Counting Descent 'With Heavy, Laymon has outlined the wretched shape of our relentless national lie with duty and precision, breathing and pouring into it to shine the light ever brighter on its contours and limits. Heavy is an intimate excavation, a diagnosis, and a prescription for a cure for the terrifying dishonesty of the American body politic. I did not want to remember what I have found necessary to forget. Ready or not, Heavy remembers for me, and for us all, with the exquisite black southern precision of a post-soul blues. Its brilliance is in its intimate and firm reminder that we are more than what has been done to us by others and by this nation, and that we can and must unburden ourselves as we move towards freedom. With Heavy, Laymon, the chief blues scribe of our time, writes and plays us a path through the weight of things.'
-Zandria Robinson, author of This Ain't Chicago 'Kiese Laymon's new book is an emotional powerhouse. He fearlessly takes the reader into the dark corners of his interior life. Wound, grief, and enduring pain reside there. But this book is a love letter. And, as we all know, love is a beautiful and funky experience. Thank you, Kiese, for this gift.'
-Eddie Glaude, author of Democracy in Black 'Kiese Laymon has done nothing less than write the autobiography of the first generation of African-Americans born after the Civil Rights movements of the 1960s and the Black Power ethos of the 1970s. His story of grappling with love and violence and language and our bodies is this generation's story, and it is as moving and heartbreaking and heartwarming as you would expect. And then some.'
-Courtney Baker, author of Humane Insight 'Heavy is an act of truth telling unlike any other I can think of in American literature, partly due to Laymon's uniquely gifted mind--his ability to pursue the ways we lie to each other while also loving each other, or, not, and the humility he brings to bear while doing so, this consistently brings us back to life, to what matters in this world. Heavy is a gift to us, if we can pick it up--a moral exercise and an intimate history that is at the same time a story about America.'
--Alexander Chee, author of How to Write an Autobiographical Novel 'On the low, many in these United States of America imagine that to be black means that whiteness, whether in its feigned supremacy or brutal imaginings, should be the center of every black story. But nah, that's meager. In Heavy, the Kiese Laymon remembers how people who loved each other or might of loved each other, nearly shattered everything around them with hurt and then struggled to piece it all back together. Kiese crafts the most honest and intimate account of growing up black and southern since Richard Wright's Black Boy. Circumventing the myths about blackness, he writes something as complex and fragile as who we is. An insider's look into the making of a writer, Heavy is part memoir and part look into the books that turned a kid into a story teller. Heavy invites us into a black South that remembers that we loved each other through it all. In 'Nikki-Rosa,' Nikki Giovanni wrote that 'black love is black wealth.' This book is the weight of black love, and might we all be wealthy by daring to open up to it.'
--Reginald Dwayne Betts, author of A Question of Freedom 'Heavy heaves, sings, hums, and runs all night to make it clear that there's an alternative, that Black history's first premise is mutuality. That mutuality isn't perfect, ain't safe, it's dangerous, in fact, and Heavy moves in a terrible and beautiful and so gentle proximity to that--at crucial times our primary--danger, the ones we love and who love us the most. I was with Kiese the whole damn heavy-floating way, word for word in laughter and tears, in recognition, refraction and revelation. But, way more than any of those, sentence by sentence, I was with Kiese in thanks.'
--Ed Pavlic, author of Another Kind of Madness 'In Heavy, Kiese Laymon asks how to survive in a body despite the many violences that are inflicted upon it: the violence of racism, of misogyny, of history -- the violence of a culture that treats the bodies of black men with fear and suspicion more often than with tenderness and attentive care. In prose that sears at the same time as it soars, Kiese Laymon breaks the unbearable silence each of these violences, in their peculiar cruelty, has imposed. Permeated with humility, bravery, and a bold intersectional feminism, Heavy is a triumph. I stand in solidarity with this book, and with its writer.'
-Lacy M. Johnson, author of The Other Side and The Reckonings 'How appropriate Kiese Laymon's stunning memoir is titled, Heavy. Not only are the stains and hurt highlighted here, heavy, but also the writer's capacity to revive graveyards of ghosts who haunt and seemingly will continue to haunt the protagonist. Laymon is a fearless writer, our writer, who's willing to expose and explore his most vulnerable interiors so that we might get closer to our truths. This is a southern book for backroads and cornbread, for Cadillacs and collard greens, for big mamas and moonshine. Heavy is full of our beautiful and ugly histories, and a declaration of how we might seek redemption. The colorful and complicated characters here speak a blues and poetry that is both nostalgic and familiar. This is the book we need right now. We should all be thankful for this ultramodern weighty testament of heartache, catharsis, and utter brilliance.'
--Derrick Harriell, author of Stripper in Wonderland and Ropes 'You do not just read Kiese Laymon's work. It does a reading of you too--one that unburies the stories you thought you would never be able to tell truthfully, and reminds you of your voice to tell them. Heavy marks this quality in its highest definition yet. Written with as much devastating poignance as a humor only the Black South could inspire, Heavy asks readers not just to observe Laymon's courageous journey to understand even the most frightening complexities of life in an anti-Black, sexist, fatphobic society, but to embark on it with him. In doing so, Laymon's gorgeous wordsmithing moves us beyond simple binaries of pleasure and pain, joy and trauma, toward a deeper love for communities too often flattened into one dimension. Heavy is a book for the ages.'
--Hari Ziyad, author of Black Boy Out of Time 'Heavy is beautiful, lyrical, painful, and really brave. It is both exigent and timeless. Laymon's use of juxtaposition--of the political and personal, the many stories of dishonesty and history, violence, everything--is all-world.'
--Nafissa Thompson-Spires, author of Heads of the Colored People

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Description

Named One of the Most-Anticipated Books of 2021 by:
O, The Oprah Magazine, The New York Times, The Washington Post, Time, The Millions, Refinery29, Publishers Lunch, BuzzFeed, The Rumpus, BookPage, Harper's Bazaar, Ms., Goodreads, and more 'Libertie is a feat of monumental thematic imagination.'
--Margaret Wilkerson Sexton, The New York Times Book Review'This is one of the most thoughtful and amazingly beautiful books I've read all year. Kaitlyn Greenidge is a master storyteller.'
--Jacqueline Woodson, author of Red at the Bone The critically acclaimed and Whiting Award-winning author of We Love You, Charlie Freeman returns with Libertie, an unforgettable story about one young Black girl's attempt to find a place where she can be fully, and only, herself. Coming of age as a freeborn Black girl in Reconstruction-era Brooklyn, Libertie Sampson is all too aware that her purposeful mother, a practicing physician, has a vision for their future together: Libertie is to go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother's choices and is hungry for something else--is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark. When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it--for herself and for generations to come. Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge's new and immersive novel will resonate with readers eager to understand our present through a deep, moving, and lyrical dive into our complicated past.

Algonquin Books

March 30, 2021

336

5.9 X 9.1 X 1.4 inches | 1.1 pounds

English

Hardcover

9781616207014

Kaitlyn Greenidge's debut novel, We Love You, Charlie Freeman, was one of the New York Times Critics' Top 10 Books of 2016 and a finalist for the Center for Fiction First Novel Prize. She is a contributing writer for the New York Times and the features director at Harper's Bazaar, and her writing has also appeared in Vogue, Glamour, the Wall Street Journal, and elsewhere. She is the recipient of a Hodder Fellowship from Princeton University's Lewis Center for the Arts, as well as fellowships from the Guggenheim Foundation, the Whiting Foundation, the National Endowment for the Arts, Substack, and the Radcliffe Institute for Advanced Study. Greenidge lives in Massachusetts. Her second novel, Libertie, is available now.

A Roxane Gay Audacious Book Club Selection (May)
A For Colored Girls Book Club Selection (April)
A Well-Read Black Girl Book Club Selection (May) 'This is one of the most thoughtful and amazingly beautiful books I've read all year. Kaitlyn Greenidge is a master storyteller.'
--Jacqueline Woodson, author of Red at the Bone 'Pure brilliance. So much will be written about Kaitlyn Greenidge's Libertie--how it blends history and magic into a new kind of telling, how it spins the past to draw deft circles around our present--but none of it will measure up to the singular joy of reading this book.'
--Mira Jacob, author of Good Talk: A Memoir in Conversations 'Wielding both her knowledge of our history and her incredible sense of story, Kaitlyn Greenidge further establishes herself as one of the sharpest minds working today. Libertie is a novel of epic power and endless grace.'
--Nana Kwame Adjei-Brenyah, author of Friday Black 'In this singular novel, Kaitlyn Greenidge confronts the anonymizing forces of history with her formidable gifts. Libertie is a glorious, piercing song for the ages--fierce, brilliant, and utterly free.'
--Brandon Taylor, author of Real Life 'I want to say that Kaitlyn Greenidge's Libertie is a glorious diasporic literary song, but the novel is so much more than that. A book so deeply invested in the politics and place of silence is one of the most melodious books I've read in decades. The ambition in Libertie is only exceeded by Greenidge's skill. This is it.'
--Kiese Laymon, author of Heavy 'From the first page, Greenidge catapults us into a masterfully crafted story in which the possibilities, limitations and shifting contours of freedom for Black people take center stage . . . She conjures a fiercely gorgeous, complex portrait of life for Black women during the Reconstruction era. It is a story that's at once politically weighted and intimately resonant . . . Greenidge perfectly weds the precision of historical details and context with fantastical elements of myth and magic to illuminate the enduring questions: What does freedom mean for Black girls and women? What does it look, smell, feel, sound and taste like? Libertie is a beautifully written meditation on Black liberation and imagination. It is exquisite historical fiction that lovingly reminds us to reassess our own present-day commitments to fighting for, and practicing, freedom.'
--Ms. magazine 'Kaitlyn Greenidge has built a lush, imaginative novel, as dark and beautiful as its namesake yet as relevant today as during its 19th-century setting. I didn't want it to end, and I fear that any attempt to render its complexity with brevity equals a failure to capture the book's vast depth and its conversation with so many other important historical and literary works. A page turner and a gorgeous winner.'
--Nafissa Thompson-Spires, author of Heads of the Colored People 'The voice that fuels this novel is rooted in the body and rises toward myth, forged of history, ocean salt, iron, and hope. With Libertie, Kaitlyn Greenidge adds an indelible new sound to American literature, and confirms her status as one of our most gifted young writers.'
--Garth Greenwell, author of What Belongs to You and Cleanness 'Few novels have as strong a sense of place as this fascinating blend of magical realism and African American historical fiction . . . Greenidge succeeds beautifully at presenting the complexities of an intense mother-daughter bond . . . Greenidge creates a richly layered tapestry of Black communal life, notably Black female life, and the inevitable contradictions and compromises of 'freedom.'
--Booklist, starred review 'Greenidge (We Love You, Charlie Freeman) delivers another genius work of radical historical fiction . . . This pièce de résistance is so immaculately orchestrated that each character, each setting, and each sentence sings.'
--Publishers Weekly, starred and boxed review 'Stunning . . . This engaging novel immerses readers in a world rich with historical detail that brings to life lesser-known aspects of post-Civil War American history, such as Black women in medicine and the relationship between Haiti and the United States. This will appeal to teenage fans of adult authors like Toni Morrison, Brit Bennett, and Yaa Gyasi.'
--School Library Journal, starred review 'This is a historical novel, a magical novel, a familial novel, a Bildungsroman--a work that defies simple categorization. The complexities herein signify an important writer throwing all her talents and brilliance on the page, offering us more than we deserve. Reading Libertie can feel like reading Toni Morrison. Such a comparison, however, is a disservice to Kaitlyn Greenidge, who is an original light, a writer to emulate, a master of the craft, and a mind we're fortunate to have living among us.'
--Gabriel Bump, author of Everywhere You Don't Belong 'Libertie is a bildungsroman for America in the 21st century, providing us with a spiritual education we sorely need. What is care and what is poison? Where does life end? Where does liberty begin? By creating Libertie--a 19th century 'black gal,' a modern existential heroine--Greenidge has resurrected more than an ancestor--she has revived the anger and the love, the grief and the pride, and, above all, the fierce need for freedom that still drive our nation today.'
--C. Morgan Babst, author of The Floating World

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